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He then meets Kalika and Kalika narrates her the story of Mohan, Radhika and Ambika in which she makes Madhav believe that Radhika was the witch but Madhav having flashes and knowing a little bit of truth doesn't believe on her. Madhav is an engineer who has come to Kishangarh for making a dam. A second janam (birth) is shown in which Mohan is born as Madhav and Radhika as born Meera while Ambika just changes her name from Ambika to Kalika. Mohan after listening of Radhika's death jumps from a cliff. Ambika tricks Radhika and kill her, before killing her she makes her believe that Mohan killed her. During this time period Radhika gets to know the truth of Ambika and tells that truth to Mohan. Mohan's mother asks Mohan to marry Ambika. Ambika wanted Mohan for her purpose but she start loving him. Ambika tricks Mohan and snatch all of his property to Dashrath Singh. Mohand thinks that Radhika killed his father and Radhika thinks that Mohan killed her father. Ambika kills Mohan's and Radhika's father and the blame comes on Mohan and Radhika respectively. Ambika plays such a game that Mohan and Radhika starts disbelieving each other. Ambika was hired by Dashrath Singh a rival of Mohan's father. When he reaches his home he meets Radhika (his lover). Mohan was the son of a Thakur in Kishangarh who was gone to foreign for studies. The story was about two lovers Mohan and Radhika. The main cast includes Gautam Rode, Divyanka Tripathi and Amrapali Gupta. Each story was made to run for eight weeks.One of them was Intezar.
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In January 2009, the format of the series was changed. Friday and Saturday, each story being split into two episodes. In December 2007, show returned with a biweekly telecast i.e. This special series ended on 27 July 2007. His mission was to cast away all negative powers in the world. In this series, Rahil Azam plays the role of Aryaamann as the ghost buster. On 6 July 2007, a special series named Sssshhh.Phir Koi Hai – Aryaamann of four episodes was telecast. The second season was titled Sssshhh.Phir Koi Hai, (English: Sssshhh.someone's again there) which was a weekly series, airing Friday and Saturday nights. These three ghost-busters were called the Trikaal, who were always ready to fight evil powers. These ghost-busters' mission was to get rid of all the ghosts and evil spirits in the world. Guru Satyacharya observed that Vikraal could not handle the situation alone, and therefore decided to summon Mritunjay's daughter Bijli and Captain Kishan to help Vikraal. Btw, Do watch the end credit.The show takes place after the return of Mayakal, who was the most powerful wizard and captured Vikraal. As a cinema it is Talvar of 2016 albeit with a straight plot-line. The court-room sequences in the 2nd half is tremendously superb. And while doing so it makes evident points against the society. And can Piyush Mishra & Dhritiman Chatterjee go wrong in any role? Pink is indeed a taut social thriller which needs your attention.It is taut and gritty and it establishes its plot-points effectively keeping the tension intact. Angad Bedi is so authentic that you will hate him.
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Their pain reflects the voice of majority of Indian women who have to face ordeals even in the busiest of streets in our country. Tapsee Pannu and Kirti Kulhari are a revelation. Kudos to Amitabh Bachchan to be part of such a topical film demanding respect.His acting and choice of films are getting better and better with old-age.This issue was necessary to be told and his name would increase the audience base.
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Going by the reactions all over I guess the movement has just began, that is Power of Great Cinema. Hope Pink is watched at a large scale, start a debate and inspire young adults. Honestly Shoojit Sircar (who is synonymous with quality films Vicky Donor Madras Cafe Piku) & debutante Dir Aniruddha Roy Chowdhury should be applauded for The Film Pink as it has the power to change mindset. I am sure even most educated men won't get this point but I hope they does. 2.Most vital point – NO MEANS NO.She can be your friend, GF, sex-worker, even your wife : NO means No. A modern working woman who wears short (I would say more comfortable in this humid climate) clothes or one who parties & drinks or one who is friendly doesn't mean SHE IS AVAILABLE.
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Two major point raised without being didactic:- 1.Stop being judgmental. #Pink is not just a film but a statement against this prejudiced, hypocritical feudal societal fabric that can't handle modern-thinking women. A dialogue from Rang De Basanti – "Koi Bi desh perfect nevi ho ta hai.use perfect banana parta hai" – and for that one needs to change the various aspects of societal mindset. Pink is not a film and this is not a review.